Recreating Lizzie Bennet’s Brown Frolicking Frock

Recreating Lizzie Bennet’s Brown Frolicking Frock

“First, I must tell you how ardently I love this dress. From the moment I saw it, I never wished to be parted with it from that day on.”

If you’re as big a fan as I am of the 2005, Pride and Prejudice starring Keira Knightley and Matthew MacFadyen, you’ll recognize the above quote, though it is slightly altered. 🙂 There are a few films that I can play all the way through in my head, scene by scene and this is one of them. The other two are The Wiggles Magical Adventure, and The Apple Dumpling Gang. Take that information as you will.

Here’s my recreation of the opening title.

Fun Fact: the book Lizzie is reading as she walks in the opening scene is actually text from the last page of “First Impressions,” the original title Jane Austen put down for today’s Pride and Prejudice. The book I’m holding is a 1903 edition of Pride and Prejudice. I recently discovered that walking and reading at the same time is a skill yet to be acquired.

Keira Knightley, Pride and Prejudice, 2005.

Out of all the beautiful gowns in the film, this one is my favorite, and I instantly knew I had to make it for myself. After a LONG time researching and looking for the right materials (I went to so many fabric stores to find this exact fabric, and finally found it at a random Joann’s) I started to self-draft the pattern. As with any of my recreated film costumes, I always watch the movie it appears in as I sew. It’s a cool experience! Until the movie is over and there’s only half a bodice completed because Mr. Bingley is having a ball, Lydia has run away, and Charlotte Lucas is engaged to be married!

I looked at a LOT of still shots of Keira wearing this gown, and attempted to replicate (almost) every pleat, seam, and detail visible. The most important thing for me was getting the silhouette right. Long live trial and error. I also had the white blouse to figure out. I was about to start drafting a pattern when I realized that I already had a white blouse exactly like this. It even had the overlapping shoulder seams like the original. All I had to do was make a wider collar and hand sew it on, which I must admit, is already coming loose. That’s something I’ll have to fix.

A little disclaimer: this dress is not historically accurate to the era in which Pride and Prejudice occurs. It was designed by Jacqueline Durran, (who also designed the dreadfully inaccurate costumes for Little Women, 2019 which I despise and ranted about in this post. . . but let’s overlook that). As long as it is duly stated that this gown is not accurate to the regency times, we may continue. I may be a bit of a hypocrite, but I do believe Durran’s work in Pride and Prejudice proves much more historically accurate than in Little Women. Speaking as someone who has studied Victorian fashion, and not Regency.

This was absolutely the most fun day, running around in fields with my sister until sunset, playing the soundtrack to the film along the way, and saying almost every quote we could remember. I felt like I was in the movie. Although dressing like a fictional character from another century can definitely deliver you some odd looks, finger points, and quiet conversations as people walk away, it wasn’t as bad as I had predicted. Even in the mall afterwards, I didn’t seem to notice too many people questioning my attire, (yes, I went into a busy mall in this dress to pick up my other sister, and yes it was pretty fun).

A quick review of the opening scene.

I’m definitely not the first to recreate this design, nor the last. There are multiple YouTuber’s videos/tutorials out there that show the whole process of creating this gown, if you’re interested in making one of your own. Here are some of my tips for recreating this gown:

  1. Make sure your fabric is correct (I used a thin linen.) I’d also recommend buying it in person and not online. Photos and descriptions can be deceiving.

2. Make it a wrap dress. I’m not sure if this is specific to the original, but I think it’s a lot easier not only to make, but to put on and actually use as a functioning dress. I added ties to both the inside and outside flaps. The buttons aren’t really doing much.

3. Wear proper undergarments. I wore a cotton chemise, regency half-stays, and a white petticoat under the dress, but by all means you don’t HAVE to. (After all it’s not even a historically accurate dress). Putting on any ankle length skirt underneath should be good enough to fill out the dress properly and help with the flow of the fabric. But you definitely need something to help with the fullness of the skirt.

4. If you don’t feel comfortable drafting the pattern yourself or just hand draping it as you go, find some paper patterns that are similar to this design. Maybe you can find a separate one for the skirt, one for the bodice, and one for the blouse. Having a dress form really helped with draping; it’s nearly impossible to make a fitted garment without one.

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Which did you experience first: the book or the movie (or the 90s series in which I do not find favor)?

Who’s your favorite P & P character?

When was the last time you ran around in a field? If it wasn’t yesterday, my sincere condolences.

If I Attended Marshall College // Late 1930s

There is a certain girl in the beginning of “Raiders of the Lost Ark,” walking in the background for about three seconds. Her appearance is so quick, I couldn’t get a clear screenshot. She happens to be wearing an outfit a lot like this one!

The scene is set in Connecticut, where Dr. Jones is a professor at Marshall College in 1936. I’ve always loved those few short scenes of the campus. Watching it seems to bring back memories I’ve never really had or experienced. It’s funny how that works, sometimes.

When I’d heard that “Raiders” was showing at a local theater, I knew I wanted to wear this specific outfit. It was going to be in 4DX, you know, where the seats move to the action and water sprays in your face (the submarine scene got a little out of hand). There was a button to control the water for your individual seat, which I quickly turned off. But with every other seat around you going off, getting sprinkled with cold water is mostly unavoidable. The wind of the desert, the wood smoke smell from the burning fires, and the effect of air whizzing past your head for narrowly missing bullets makes you really feel like you’re part of the story. And there’s NOTHING like the feeling of a sudden piece of rotating plastic hitting your feet while watching snakes slither around Indy’s shoes. Definitely hated that. So must have the lady in front of me since she screamed so loud. I think I saw everyone in the theater scramble to lift up their feet in horror the first time it happened.

I think 4DX movies can be truly captivating and fun, if done right. Sometimes the seat just jostles you around so much, you focus more on that than what’s happening on the screen. For me, it’s like riding a really hectic wooden rollercoaster. When it’s just tossing me everywhere, I get really mad, furious actually, that I’m being pushed around and can’t fight back. How are you supposed to punch a rollercoaster in the face? It’s not fair if there’s no way to retaliate! Does not all of the world’s population feel as I do; aggravated by these monstrous bullies, disguised as amusement in the form of massive constructions of lumber in which humans are fastened onto and tossed around at seventy miles per hour, compelling grown men to scream for their lives? No, just me, ok.

Saddle shoes and poodle socks: the most comfortable fashion duo ever to grace history. Very suitable for walking, dancing, and all-around adventuring.

Here’s a late 1930s photo of some stylish students from Lawrence College of Kansas. A short-sleeved sweater, plaid skirt, saddle shoes, and poodle socks all make an appearance. (Photo curtesy)

Both the sweater and cameo necklace once belonged to my grandmother. The sweater, I’ve heard, she had since high school, and I’m so happy I get to wear it. It makes it easy to remember her. Everyone who knew both of us knew how much we looked alike. I’m just so thankful that I can remember her by wearing the clothes she left for my sisters and me. I never truly got to say goodbye, but I know I’ll see her again soon. And until then, I’ll don her fashionable attire with an abundance of joy, and then hand it all down to the next generation. You definitely had great taste in fashion, Grandmom!

Heaven is a wonderful place and I’m glad that I can live there for eternity one day. And while yes, death is heartbreaking and depressing to us here still on Earth, I quickly remember that there is no death in Heaven, only life, beautiful and blissful life, where we know no trials, no pain. . . And no tormenting rollercoasters that make me infuriated, which I am quite pleased about.

So yes, we can mourn in our own ways. It’s healthy to feel those feelings, not wrong. We cry them out and then think of the happy truths around us that encourage us to cheer up. I think so often today, people associate crying with weakness. But being sad is a way of showing our love for people. When Lazarus died, Jesus went to his grave and cried, right in front of everybody (John 11:35), even though He knew He would bring him back to life in a few minutes. Showing that sadness, having those feelings was an example of how much He loved His friend, and that is a beautiful thing. He lets us know that we can be sad for a while, and that it’s okay. Our love for someone else is just an example of how God loves us, which I think is pretty amazing.

And lastly, to finish up this fashion post:

A photo of me being locked inside the mall bookstore because I wouldn’t leave. . .

(No, I was actually helping my sister close up shop for the night. P.S. reminder note to my sister, do not, I repeat, do not use that shady back elevator to take out the trash, alone. It was creepy enough when both of us went together.)

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Skirt // thrifted

Sweater and necklace // my grandmom’s

Belt // thrifted

Shoes // payless

Poodle socks // irish dance store

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Which Indiana Jones film is your favorite, Raiders of the Lost Ark, Temple of Doom, or The Last Crusade? (The fourth film doesn’t count in my book.)

Is there some item handed down to you that reminds you of a loved one?

Have you ever gotten mad at a rollercoaster?

A Day at the Museum // And Other Adventures

A Day at the Museum // And Other Adventures

Well, well, well. I’ve again returned from the tight clutches of reality to my special little place on the internet, and with good reason. (Yes, I am celebrating my blog’s fifth anniversary this week, but that is not the reason for my posting.) I’ve happened to experience a day of glorious adventures, and not far from home. I do believe that I went overboard with editing these photos. Some I edited to make them look vintage, others are overedited because of poor indoor lighting. I only ask you to overlook the ones less than desirable, as they show their quality. *insert Faramir meme here*

There was a special exhibit at one of my favorite museums, one that my sister and I immediately planned to see as soon as the museum announced its arrival. I knew I had to dress vintage for the trip.

There was no particular decade to this outfit, it was a more of a mish-mash. . . pardon me, a “collection” of different decades. The dress was given to me by a friend (thanks Miss Sue) and I altered it a bit to make it appear more vintage. I’d like to think that it could fit into either the 30s, or 40s. However, some of these photos remind me of ones from the 1970s. Let’s just say, I was a time traveler that day.

You may be wondering about this special exhibit, the one I was so excited to visit. Well, first take a guess. . . hint: It rhythms with Hatharine Kepburn. I’ll give you a moment to think real hard on this one.

Did you get it? Of course, you did. Katharine Hepburn is one of my favorite actresses (pictured here with Cary Grant from the 1938 film Bringing Up Baby, which also happens to be one of my favorite movies).

I was lucky enough to be in the presence of many of Katharine Hepburn’s film costumes spanning over her entire career. Two large rooms were filled with gowns, suits, shoes, accessories, and personal items that once belonged to her. I could have spent hours in front of each display, it was captivating to be so close to history, and old Hollywood. Pictured below are just some of the many costumes in the exhibit.

Here’s her famous black gown from Adam’s Rib (1949).

Guess Who’s Coming to Dinner (1967).

The Philadelphia Story (1940), Stage Door (1937), The Little Minister (1934), and then Me (2021).

The Lion in Winter (1968), and Long Day’s Journey Into Night (1962).

Mrs. Delafield Wants to Marry (1986).

Her personal everyday shoes.

The Lake (1933) Broadway Play.

These three above are from a TV show, The Corn is Green, from 1979. A lot of the costumes were from productions I’d never seen before, like this one. My list of movies and shows to watch had doubled after leaving the museum.

Oh, yeah, there was also a Lego exhibit. . .

After the museum, my sister and I had some adventures around town.

This was right around the time when a motorcycle gang showed up. They also decided to blow out two sports car engines (sounded like literal canon fire) for five minutes straight. It was strange, hence my expression and awkward stance above. The gang also asked if I had any hand sanitizer they could use, and yes, I gave them some out of my car. They now ride around town with jackets embroidered, “The Germ-Free Angels.” No they don’t, I made up that last part.

All in all, it was a wonderful day of adventures. I hope you can set aside a day to have one just as good this week. Always have a friend with you, never forget to buy some chocolate milk on the way, and always give a motorcycle gang some hand sanitizer upon request.

Dress // gifted

Shoes // thrifted

Clutch purse // thrifted

Hairclip // gifted

I Made Jo’s White Dress // Little Women 1994

I Made Jo’s White Dress // Little Women 1994

It was love at first sight. The glorious white dress worn by Winona Ryder (who, as we all know, played Jo March in the best film version of Little Women ever made) was clearly a moment of pure inspiration to my eyes. I strongly declared to myself, that one day, I would recreate it so that I might run through airy fields and wander in an ever deepening forest. And as of late, I am happily able to say that I’ve done all three of those things!

First, here are photos of the original dress, designed by Colleen Atwood:

Little Women, 1994. Costumes designed by Colleen Atwood.

If someone were to ask me how I made it, I would justifiably tell them, “I don’t really know.” I hand draped it piece by piece until it looked right, then sewed it together and voila! I didn’t use a pattern for any of the pieces (half because I couldn’t find any to use, the other half because I despise patterns). The sheer white fabric, I found on a four-foot roll at a thrift shop for $8. The under petticoat cotton was from Joann’s on sale for around $12. The blue ribbon was $4, and lastly the four buttons I used for the front closure and the cuffs, I already had. So in total, the entire dress cost was only $24 and about 10 hours of work. Some of the smaller areas, like the cuffs and front ruffles, I sewed by hand, but the rest was done by machine (except for the hem, because the sheer fabric is VERY thin and I didn’t want an ugly puckered line going around the bottom). I also purposely double hemmed it, making it too short so I wouldn’t get it dirty when I inevitably explored the countryside. If I ever want it longer, all I have to do is snip one thread and I easily gain two more inches at the bottom.

Once it was finally complete, I trekked to my favorite Civil War battlefield and lived out an entire day as Jo March. It was wonderful, until I realized the swarm of tics and crickets attached to my skirts! Nevertheless, such bothers can be quickly remedied. It was a magical day of seemingly endless joy and adventure. Sometimes it feels as though ordinary life is just the time we spend in between our last fairytale day and our next.

Carrying around my leather-bound copy of Charles Dickon’s Pickwick Papers made me feel like Jo all the more!

The dress was designed to mimic what we call a “chemise a la reine” or a “gaulle,” made popular by Marie Antoinette. So, give or take a few minor changes, this dress works for both the 18th and 19th centuries. Just change the ribbon, throw on an oversized straw hat with flowers and feathers, and you’re ready to step into another century! I’d say this style is a true classic in the category that is historical attire, with as much versatility as any other piece of clothing I can think of!

Of course, it’s not a perfect match and I don’t look much like Winona, but side by side, I’d like to say it’s a semi-good imitation of the dress! There will always be room for improvement, and my next project should be slightly better in both quality and resemblance (at least I hope).

The post would never be complete without a mandatory dress spinning shot.

Out of all the literary characters to exist in the world, I think that I connect with Jo March more than any other, even more than Anne Shirley or Lizzy Bennet, I’d say. Jo and I are both writers, we like to wear the same things, we have three other siblings, we’re both the second eldest, and we think very much alike. So, I’m glad that this dress was my first film recreation project, the first among many to come!

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Which film costume would you want to recreate most?

What film has your favorite costumes in it of all time?

Can you guess what costume project I’m working on next?!

Leave a comment!

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Megan Joy

Little Women Enthusiast Reviews PBS’s Masterpiece Adaptation

Little Women Enthusiast Reviews PBS’s Masterpiece Adaptation

A little disclaimer: being an aspiring filmmaker, I tend to look at a movie most critically and judge it by its content, presentation, what emotions it evokes, and its takeaway. I do like to be truthful in my views, however I will attempt not to make the following as blunt as my original draft. 😊 Do remember, this is only my personal opinion.

Second disclaimer: this review DOES include spoilers.

Costumes

There were two or three scenes showing the girls in corsets. Firstly, not all the March sisters wore corsets that early into the book. Secondly, some of the ones used are from the wrong time-period. Meg’s corset was styled from the late 1700s while Jo’s corset was that of a later Victorian design. That’s a 100-year+ gap between the two, and neither were exactly accurate. Furthermore, they were not wearing the corsets correctly. This caused the corset lines to be seen through some of the dresses, also revealing that they were not wearing corset covers that would have helped to smooth those lines.

Regarding the dresses, I’d have to say that most of them would be considered accurate, however, many were ill fitting, which would have been unusual considering that the Marches did their own sewing and tailoring.

In two different scenes, Jo can be seen wearing some sort of odd floral bathrobe, which does not say “1860s.”

In the boating scene, Miss Vonn is wearing a blue, English 1770s styled gown, and even though she was from England, it was established in the book that her family was wealthy, therefore I doubt she would have to wear a 90-year-old dress.

Makeup 

The makeup director seemed to know little of historical beauty. Each of the March sisters were in more modern makeup styles, including mascara, eye liner, lipstick, and blush, especially little Amy. While some of these beauty enhancers had been used subtly in the 1860s, none of the March girls would be wearing it around the house, and especially not to bed. Also, Laurie was for some reason wearing noticeable makeup.

Acting

The main issue with this adaptation perhaps was that the acting was over rehearsed and, in some cases, insincere. I may be quite spoilt by the 1994 version where every single line was performed brilliantly and believably, however good acting should be a main focus in the creation of any film, and one might say that this version fell a little short.

I found some flaws in the portraying of the characters, as well. Timid Beth is too scared to even enter Mr. Lawrence’s front gates, though eventually gets up some courage to go into the house and sit at the piano. She is frightened when Mr. Lawrence tells her to stop, however is smiling without a care in the same scene when this stranger of an old man comes to sit and listen to her play. She doesn’t even appear to be nervous anymore. I know I would be!

The relationship between Jo and Amy seems much harsher than in the book or any other version. One could also say that Amy was plain evil toward Jo and the rest of her family, and much more ill-mannered overall. Her actions, replies, and glares were certainly on the modern level of bad behavior. Furthermore, I found that Jo attacking Amy and slapping her in the face was overly dramatic.

Considering the filmmakers had three entire hours to fill with the book’s contents, I felt that there were not enough moments of true loving connection involving the March family. Marmee appeared as a very independent woman who seemed to know little of her daughters’ true feelings and oft gave poor advice at the wrong times (like in the attic after Amy burns Jo’s manuscript).

Music

The soundtrack trilled of modern breathy humming and ukulele strumming, which stands as an unusual choice for this newest version of Little Women. Perhaps the idea was to be set apart from the traditional orchestral music of historical productions, and if this was indeed their true intention, they were successful. I think that the music would be enjoyable for a different setting, though to pair it with forever famous “Little Women” can detract from the story and draw us away from 1860s New England.

Screenplay 

The opening credits were unusual, however I found that I enjoyed its presentation. On the other hand, the opening scene was quite the contrary. The overall feeling was that we were watching the girls do something of a repulsive nature, when really their main deed was to each snip a lock of hair to send to their father. By the editing and acting, it seemed as though the March sisters were doing this sweet gesture with an odd sense of wickedness. Let me just say that it was strange!

Also, Mr. March is certainly more present than in the book or other film versions, showing him caring for a dying slave in his chaplain’s tent. I think the decision to actually show Mr. March’s life in the army prevents the viewers from feeling how the March girls felt. They couldn’t see their father, spend time with him, or truly understand what he was going through. They were left only to know things by what could be relayed through a pen, and the fact that we were seeing the real picture while they were not seemed to eliminate the viewer’s desire to know, which differed from what the March girls were presently feeling.

I think that it would have been very smart to use two different actresses for the role of Amy to play her different ages, however this version had one actress play both the adolescent Amy and married Amy, which I felt weakened the overall effect and story.

Additionally, there was a “half-undressed” scene that I saw as unnecessary. There were also two different mentions of suicide which I thought was irrational extra drama.

Lastly, I did not admire how all Biblical lessons that are readily available to acquire from Little Women, were excluded, or replaced with feminist views. In the book, when trouble hit the March family, they called upon God for strength. In this new version, the girls drew strength from their “womanhood” and powered through with female independence, instead of harnessing God’s love to continue with their difficult lives as they did in the book.

Flubs and Mistakes 

The green-screening and CGI were quite recognizable.

When Jo runs into the woods to get a stick to rescue Amy, (which seems to be difficult even though she was in a late-winter forest) she returns with the stick and somehow has stabbed her hand and is covered in blood. Additionally, her cheek was also bleeding, while Amy, who was in the water for over a minute and a half, didn’t even catch cold. It takes about 15 minutes for one to get hypothermia and die, so let’s be thankful that Jo didn’t run any further into the woods than she unnecessarily did!

When Jo gets her hair cut, it is styled in a more modern fashion and there were no cut marks.

Beth’s hands were not moving at the piano while it was playing.

In one scene, the CGI snowflakes were falling up.

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In conclusion: I must say that this miniseries does get better with each episode. By the end, there is a good quality to it that can possibly smooth over some of its faults. So. . .

Is this version of “Little Women” an accurate representation of Louisa May Alcott’s wonderful book? No.

Will watching this miniseries before reading the book hurt your reading experience? I think so.

Is this version historically accurate? Not quite.

Overall, is the 1994 Little Women version better? The answer is quite obvious, my friends.

Should you bother to watch this miniseries if you love the book? Yes, but be discerning and keep an eye out for its discrepancies.

Am I being too frank in my review? Probably.

Am I a crazy history loving girl who gets slighted when I meet someone who has never read Little Women? Yes!

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Have you seen this miniseries yet?

If so, what did you think?

Am I being too severe in my truthful opinions again? 😊

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Megan Joy

Poems of Old // Weep You No More

Have you ever seen the 1995 version of Sense and Sensibility starring Emma Thomson and Kate Winslet? Do you remember the song that Marianne sings in the movie (the scene where Colonel Brandon sees her for the first time)? Well, this is it! It was originally a poem supposedly written by an anonymous poet in the 1800s, although there are rumors that it was written by the English musician John Dowland in 1603 to an alternate tune. Whether either be true, it is a beautiful work of poetry and I wanted to share it.

Poems of Old - Weep You No More Sad Fountians simplymeganjoy.wordpress.com.JPG

Weep you no more, sad fountains;

What need you flow so fast?

Look how the snowy mountains

Heaven’s sun doth gently waste.

But my sun’s heavenly eyes

View not your weeping,

That now lie sleeping

Softly, now softly lies

Sleeping.

 

Sleep is a reconciling,

A rest that peace begets.

Doth not the sun rise smiling

When fair at even he sets?

Rest you then, rest, sad eyes,

Melt not in weeping

While she lies sleeping

Softly, now softly lies

Sleeping.

Anonymous

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Have you ever seen the 1995 version of Sense and Sensibility?

Do you remember Marianne singing this song?

To watch a clip of this scene from Sense and Sensibility, click HERE!

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Megan Joy

Can You Guess Who Said These “Princess Bride” Quotes?

13_Buttercup_Westley9-300x200

This year marks the 30th anniversary of the 1987 movie, “The Princess Bride”! I’m a big fan of this hilarious comedic film adaptation of S. Morgenstern’s novel of the same title, and I know that some of you are, too! If you’re an ultimate fan, you’ll get most of these questions right. If you’ve never seen “The Princess Bride” before, it’s a good idea to watch the movie before you take the quiz! I’m pretty sure you’ll fall in love with it (pun intended)!

P.S. Grab a piece of paper and a pencil to write down your answers. At the very bottom of this post, the answers are revealed so you can check if you were right in the end.

(All photos are property of and can be found at http://princessbrideforever.com/. Go check out the website and join their “Brute Squad!”)

 cast-buttercup cast-westley cast-montoya cast-fezzik

        Buttercup                       Westley                  Inigo Montoya                   Fezzik

cast-vizzini cast-humperdinck cast-rugen cast-clergyman

            Vizzini                Prince Humperdinck        Count Rugen                 Clergyman

cast-max cast-valerie cast-savage cast-falk

      Miracle Max                      Valerie                       Grandson                     Grandfather

Ready, Set, Go!

1. Who said: “He didn’t fall? Inconceivable!”
a. Count Rugen b. Vizzini c. Westley

2. Who said: “Have fun stormin’ the castle. . .”
a. Valerie b. Fezzik c. Miracle Max

3. Who said: “When I was your age, television was called books.”
a. Clergyman b. Humperdinck c. Grandfather

4. Who said: “You seem a decent fellow. I hate to kill you.”
a. Inigo Montoya b. Fezzik c. Rugen

5. Who said: “Once word leaks out that a pirate has gone soft, people begin to disobey you, and then it’s nothing but work, work, work all the time.”
a. Vizzini b. Miracle Max c. Westley

6. Who said: “Now where is that secret knot? It’s impossible to find…”
a. Rugen b. Humperdinck c. Grandfather

7. Who said: “Let me explain. No, there is too much. Let me sum up.”
a. Inigo Montoya b. Miracle Max c. Vizzini

8. Who said: “Farm boy… fetch me that pitcher.”
a. Valerie b. Buttercup c. Fezzik

9. Who said: “It has worked! You’ve given everything away! I know where the poison is!”
a. Humperdinck b. Westley c. Vizzini

10. Who said: “While you’re at it, why don’t you give me a nice paper cut and pour lemon juice on it?”
a. Miracle Max b. Vizzini c. Rugen

11. Who said: “I only dog paddle.”
a. Inigo Montoya b. Fezzik c. Westley

12. Who said: “You mocked me once, never do it again!”
a. Buttercup b. Vizzini c. Valerie

13. Who said: “I would not say such things if I were you!”
a. Westley b. Rugen c. Humperdinck

14. Who said: “Well, I’m not saying I’d like to build a summer home here, but the trees are actually quite lovely.”
a. Fezzik b. Westley c. Buttercup

15. Who said: “We are but poor, lost circus performers.”
a. Inigo Montoya b. Vizzini c. Fezzik

16. Who said: “The chocolate coating makes it go down easier.”
a. Valerie b. Miracle Max c. Grandson

17. Who said: “Mawwige is what bwings us togeveh today.”
a. Humperdinck b. Westley c. Clergyman

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Answers:
1. B          2. C          3. C          4. A
5. C          6. A          7. A          8. B
9. C          10. A         11. B      12. A
13. C         14. B        15. B       16. A
17. C

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How many did you get right?
How much do you love “The Princess Bride?”
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Megan Joy

Quote of the Week // 45th Week

Quote of the Week - 45th Week Simply Megan Joy Blog

This quote is from the 1985 movie, Anne of Green Gables. In the book, by Lucy Maud Montgomery, the words are slightly different, but the meaning is equal. In the film, Diana Barry says this in remembrance of what Gilbert once said.

I often forget this word of truth. In a world and society were being pretty is a major focus, it’s hard to remember that living isn’t all about having a flawless complexion, perfect teeth, beautiful hair, makeup, and wardrobe, and sparkling eyes.

I spend so much time, and too much time, worrying about what I look like. It seems like I’m surrounded by people who are just naturally beautiful – who look like they’re perpetually ready for a magazine photoshoot. But, for as long as I think this way, I am forgetting what Diana once reminded Anne. Being knowledgeable on the inside is quite more valuable than being pretty on the outside; because the things we do in life, whether it be school, or work, and even just daily life, will require our brains more than our looks.

Having common sense and knowledge will get us much farther in life than if our only quality is having a pretty face. If being beautiful is all we care about, we are overlooking this truth: that we don’t have to be flawless in our appearance to be beautiful, nor important. I believe that people will remember us by what we do, what we say, and what we accomplish, and not by how rosy our cheeks are.

Now, I haven’t even begun to delve into this topic, but this is just a little reminder: Let’s not fill our brains with thoughts of “I wish I were prettier,” but instead fill it with knowledge, inspiration, encouragement, and all things worthwhile. Because even beauty will fade.

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Do you agree that being smart is better than being pretty?

Do you think that having common sense will be more valuable in your future than having a flawless complexion?

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Megan Joy

Quote of the Week // 41st Week

Quote of the Week - 41st Week Simply Megan Joy Blog

Mickey Rooney was a great American actor born in September of 1920. He grew up performing in vaudeville, and soon found himself on the stage, and later on the big screen. In a career lasting nine decades, he appeared in over 300 films, continuing to act until the last year of his life in 2014. He was best known for his long-running role as “Andy Hardy” in the famous series of seven movies. In 1944, he co-starred with Elizabeth Taylor in the film, National Velvet, and later, in 1979, in the The Black Stallion, with Kelly Reno, both of which are two of my treasured movies. To me, he will forever be that funny young man with two charming eyes, a dashing smile, and funny laugh.

We all have ideas and dreams of our future success. We envision what we hope to achieve and how we might get there. While we contemplate our dreams and hopes, we may try to decipher a trail that will lead us to where we want to go, A Wonderful Land of Success, if you will. We want to choose the easiest and fastest route to get there, a route that cannot fail us.

It would be lovely if this path actually existed. As it turns out, it doesn’t. In every journey to our great accomplishments, shortcoming will turn up somewhere along the road, because “we, as humans, are not perfect.” We can’t expect to live out our entire lives without failing at something. As we drive down that highway, with the wind whipping through our hair, sporting sunglasses and a hopeful smile, we are inevitably going to drive through “Failure-ville.” No matter which route we take, there will always be a Failure-ville. This certainly doesn’t sound very inspiring or motivational. It may even sound depressing. However, it’s not always healthy to sugar-coat the route to success. Way too many calories! Just kidding. . .

What I’m trying to say is, we can’t be afraid of failing. It can bog us down for a while, but it’s not like we are stuck living there forever. There will be a time when we can just fill up the tank, high-tail it out of there, and hit the highway toward our great accomplishments. We can leave Failure-ville in the dust and get back on the road again. We just have to keep driving, keep dreaming, and especially keep depending on God’s strength and love, because we’ll never have to drive through Failure-ville alone.

Psalms 73:26 – “My flesh and my heart faileth: but God is the strength of my heart, and my portion for ever.” KJV

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Have you ever driven through Failure-ville?

What did you do to get back on the road?

Which Mickey Rooney film is your favorite?

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Megan Joy

Diana of Avonlea // Victorian Outfit

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If you remember, in “Anne of Green Gables: The Sequel” Diana Berry wears something like this; a white blouse and a creamy off-white skirt. The outfit is plain and simple, yet glorious in all its splendor! I wanted to recreate the outfit, so I gathered some of my Victorian things to piece together.

Anne of Green Gables httpanneofgreengables.com (3)

Source

Diana wears another off-white dress in the cow scene!

Source

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I however, chose not to venture out into a muddy field for a photoshoot, so this will have to do!

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Anne also wears something like this in a scene with Gilbert.

Anne of Green Gables httpanneofgreengables.com (5)

Source

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skirt // sewn by me

blouse // thrifted

shoes // thrifted

belt // sewn by me

underskirt // sewn by me

hat // thrifted

necklace // chicwish

parasol // civil war sutler

collar pin // thrifted

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Megan Joy