Oh No, Not Another Little Women

Forget my last post. THIS, apparently is what brought me back to blogging: the need to rant about yet another version of my precious Little Women, which has somehow found its way onto the big screen, again. Yes, a new film was released around two weeks ago, claiming to represent the beloved Louisa May Alcott work about four sisters and their coming of age story. Just how many versions of this story can be made, one may ask? Well, if you were to include silent films, theatrical plays, musicals, operas, radio programs, tv shows, and films, there would be a grand total of 20 documented versions of Little Women.

You may have read my post on the PBS’s Masterpiece version that was released just last year, and I’ve promised myself that I won’t be as harsh with this one. . . if at all possible.  I’m sure we can all agree that Gillian Armstrong’s 1994 version of Little Women has for certain, risen above all other attempts and that Meg, Jo, Beth, and Amy March were represented extremely well by Trini Alvarado, Winona Ryder, Claire Danes, and Kirsten Dunst, and it stands to reason that there will never be a better Laurie than young Christian Bale.

Now, after watching the film trailer, which can be found on YouTube, I’ve decided not to pay thirteen dollars to see this new version in theater because I would surely disrupt it for other viewers as I stand upon my seat screaming “That’s not historically correct!” or “That’s not even in the book!” After all, you can have all the best lighting, sets, color grading, and visual effects, but those things don’t really compete with the way the actual story of Little Women is told, and how the dialog and costumes are used to make us truly believe we’re in the middle of the Civil War.

On the other hand, maybe you’ve seen this new take on the book and found it enjoyable? That’s completely fine! Remember this is only me sharing my personal opinion. However, I did notice a few things in the official 3-minute-long trailer which at this moment has half a million views. Here’s what I noticed:

0:12 – We see four sister walking down a snowy street, two without any hats or bonnets (historically inaccurate). They also look a little homeless, but maybe I’m just too picky?

0:23 – We hear Amy tell her sisters that she wants to be the best artist in the world. Is it just me or does she seem older than all the sisters, and not the youngest child in the family? Why didn’t they find a younger actress to play ten-year-old Amy instead of trying to fool us out of knowing that the actress is actually twenty-three years old in real life?

0:57 – Jo’s at a party with her hair down. How did she get away with that? Quite shocking if you were to ask any historical reenactress today.

1:23 – It sounds like Jo is trying to convince Meg that they should run away from home? What?

1:32 – Ok, what in the world were they thinking? It’s Meg’s wedding day and she appears to be wearing something perhaps more fitting for the 1970s rather than 1870s, with her hair DOWN, uncurled, and with a side part (very historically inaccurate). With a budget of $40 million dollars, couldn’t they have hired someone who knew a little something about the standards of 1860s-1870s beauty? It’s her wedding day and is looking as though she forgot to wake up in time to do her hair. All throughout the trailer in fact, we see side parts and either straight or beach wavy hair, down about their shoulders and not up where it should be while in public, historically.

1:43 – Why is Jo burning her own writing? What happened to that being Amy’s trademark?

2:00 – Here is a staircase full of women presumedly at the Moffat party, perhaps? Ten girls dressed in basically the same dress, only each in a different pastel color with matching elbow length gloves, (not actually in fashion during the Civil War). It reminds me of a Disney cartoon/fairytale, instead of a historical drama in the way that each dress is the same. But that is only my personal opinion, of course. I also want to mention that I DID see many historically accurate gowns and outfits in the trailer that were quite beautiful in fact, ones that I absolutely cannot complain about.

2:29 – Jo is fashioned in a man’s jacket and derby. That would have been almost as strange to the people of New York in the 1870s as a man in a dress, literally. Yes, we all know Jo is a tomboy, but I doubt she would actually get away with that in public and not be harshly questioned for it.

What also riled me was that along with this new movie comes the selling of a book that a few people I know have bought. The front cover is a photo from the new film and inside are more pictures of the same. What I want to know is: Is this book the original book, or it is the 2019 adaptation that changes the plot to match Greta Gerwig’s script? Because, after reading a few articles, I know that not only little changes were made, but big ones too, like the ending. Emma Thompson, screenwriter and co-star of Sense and Sensibility 1995 once wrote in her production journal, “The Sense and Sensibility Screenplay and Dairies” that she strongly rejected the idea to republish Jane Austen’s book as a “novelisation” adapted to match Thompson’s screenplay, and sell it as the real thing. She said the idea was revolting, meaning that if someone wanted to read Sense and Sensibility, they should read Austen’s original work. I must agree with our dear Emma.

Little Women 2019, which stars a slew of famous names, has been spoken of well by film critics (but we all know that means almost nothing) and was already nominated for two Golden Globe Awards, Saoirse Ronan for Best Actress and Alexandre Desplat for Best Original Score. Now, I’ve done some little detective work and have found the following interesting facts:

  1. Winona Ryder was nominated for an Academy Award for Best Actress as Jo March in 1994 but lost to Jessica Lange for Blue Sky.
  2. Thomas Newman was nominated for Best Original Score in 1994 but lost to Hans Zimmer for The Lion King.
  3. The great Colleen Atwood was nominated for Best Costume Design in 1994 but lost to Tim Chappel for a movie I’ve never even heard of.
  4. Little Women, 1994 budget was $18 million dollars. Little Women, 2019 budget was $40 million dollars.

Now for a few more recent facts about the 77th Golden Globe Awards, held on January 5th, 2020:

  1. Christian Bale (Laurie, Little Women, 1994) was nominated for Best Actor in Ford vs. Ferrari.
  2. Thomas Newman (score composer, Little Women, 1994) was nominated for Best Original Score in 1917 and was against Alexandre Desplat who wrote the new score for the 2019 Little Women.
  3. Kirsten Dunst (Young Amy, Little Women, 1994) was nominated for Best Actress in a Television Series.

None of these nominations ended up winning last night, but I did see that both Thomas Newman and Kirsten Dunst were at the awards on Sunday night, (no Christian Bale though). Now, I was thinking. What do Christian, Thomas, and Kirsten, who are all heavily connected to the previous Little Women think about this new production? What do the rest of the cast and crew think? Do they think it was time for a remake, or are they like me and not ready for a new take on this beloved story?

Maybe I’m a little sour over this whole ordeal, but what else am I to think while feeling as though the book has been ripped from my hands, cut up, pasted back together with modernly crafted glue, plastered with an unknown photo from a film, stripped from its universally known ending, then released to the entire world to accept as once before? What do you think? Please let me know! I want to hear any and all opinions!

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Have you seen this 2019 version? Am I dreadfully wrong not to see it and yet criticize it?

Should I stop this continuous ranting of movies I don’t like? (Insert mysterious pirate accent here: Because I hear tell there be a trailer for a “Secret Garden” remake that I feel the need to tear apart, being a strong believer in the treasure that is the 1993 version, arrgg!)

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Megan Joy

Poems of Old // Weep You No More

Have you ever seen the 1995 version of Sense and Sensibility starring Emma Thomson and Kate Winslet? Do you remember the song that Marianne sings in the movie (the scene where Colonel Brandon sees her for the first time)? Well, this is it! It was originally a poem supposedly written by an anonymous poet in the 1800s, although there are rumors that it was written by the English musician John Dowland in 1603 to an alternate tune. Whether either be true, it is a beautiful work of poetry and I wanted to share it!

Poems of Old - Weep You No More Sad Fountians simplymeganjoy.wordpress.com.JPGWeep you no more, sad fountains;

What need you flow so fast?

Look how the snowy mountains

Heaven’s sun doth gently waste.

But my sun’s heavenly eyes

View not your weeping,

That now lie sleeping

Softly, now softly lies

Sleeping.

 

Sleep is a reconciling,

A rest that peace begets.

Doth not the sun rise smiling

When fair at even he sets?

Rest you then, rest, sad eyes,

Melt not in weeping

While she lies sleeping

Softly, now softly lies

Sleeping.

Anonymous

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Have you ever seen the 1995 version of Sense and Sensibility?

Do you remember Marianne singing this song?

To watch a clip of this scene from Sense and Sensibility, click HERE!

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Megan Joy